|
|
![]() |
This was actually very easy, but had to remember after each shot if the horses head was moving upwards or downwards, then the monk also had to look at the passing goats, who weren't passing really. They were added later. Because of the blue screen, you can have several layers. In fact I could create an army of goats which just the four I have. |
![]() |
In the beginning of the film you can see clearly that the monk's hair moves. It is just fitted firmly on the head and it will alway move when you touch him to move his head or arm. But I liked this particular scene too much to do it again. To prohibit this from happening again, I gave him a brain of the magic stuff. Problem solved! |
![]() |
![]() |
![]() |
Another stabilisation with Blue Tack. You only must not forget to take it away afterwards, because otherwise you will forget and only notice after 79 shots realize that it is clearly in the picture. |
![]() |
Although I have a crappy Canon DV camera (tapecompartement
ruins tapes), it has a great lens! It can do superclose-ups. The Viking shield is hiding his legs, so it really looks like he is runing. You will notice that the legs are cleverly hidden everywhere in the film, so you will never see them "glide". I had to make a path which would show the Viking in the best way, without showing what I didn't want to. That's why there is tape to mark the "runway". And a lot of Blue Tack under his feet, to make him bend like he is running. |
![]() |
![]() |
|
|